Since the revolution, Tunisia has attracted the attention of many researchers, journalists and experts. This has led to a proliferation of articles and media discourse related to social and political mobilisation, the results of the October 2011 elections and conflicts between artists and activists on the one side and the judiciary on the other. However, although Tunisia has been a recurrent international news story since the revolution and the electoral victory for the Islamists, no academic research has been devoted to the relationship between artists and authoritarian institutions. The socio-economic conditions for the creation of artworks and the ways in which the art world is structured by gender have not been documented. This book is based on a lengthy sociological study and fills a gap in academic research: it provides a detailed analysis of the Tunisian literary landscape and highlights how it is structured by gender. It deconstructs the common representation of Tunisia as a…
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